Man Claiming Wife’s Murder Kills Himself

May 22, 1947
Wilmington

Before shooting himself in the head today, 29-year-old carpenter Rollin Albert Starkey told his mother-in-law, Mrs. Myrtle Foley, that he had choked her daughter Betty in their cabin near Lake Arrowhead. As if unsure that he could count on a woman to do anything, he then phoned police telling them much the same thing.

Investigators J.E. Hamilton and C.J. Bright of Harbor Police Station reported that Starkey confessed that several days earlier he had killed Mrs. Starkey while they were at their Dogwood Canyon cabin making repairs, and had returned to their home at 1610 N. Marine Ave., Wilmington yesterday. By the time officers arrived at the Marine Ave. apartment, Starkey was near death with a bullet in the brain; he died soon after at Wilmington Receiving Hospital.

San Bernardino Sheriff James W. Stocker sent Chief Criminal Deputy Harry Heap up to Dogwood Canyon to have a look. In the Starkey cabin, Heap discovered the deceased Mrs. Starkey, sprawled on the living room floor in an incongruous costume of playsuit, sandals and fur coat, a noose made from a pair of nylon stockings around her throat. There were no signs of a struggle in the cabin.

The cause and further circumstances of the murder and what Starkey had been doing since committing it remain mysterious. If Mrs. Foley knows anything more, she’s not talking.

Published by

Kim Cooper

Kim Cooper is the creator of 1947project, the crime-a-day time travel blog that spawned Esotouric’s popular crime bus tours, including The Real Black Dahlia. She is the author of The Kept Girl, the acclaimed historical mystery starring the young Raymond Chandler and the real-life Philip Marlowe, and of The Raymond Chandler Map of Los Angeles. With husband Richard Schave, Kim curates the Salons and forensic science seminars of LAVA- The Los Angeles Visionaries Association. When the third generation Angeleno isn’t combing old newspapers for forgotten scandals, she is a passionate advocate for historic preservation of signage, vernacular architecture and writer’s homes. Kim was for many years the editrix of Scram, a journal of unpopular culture. Her books include Fall in Love For Life, Bubblegum Music is the Naked Truth, Lost in the Grooves and an oral history of Neutral Milk Hotel.

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  1. Los Angeles Times
    May 22, 1947,
    Page 1

    Art Club Flays
    Museum Show as
    ‘Subversive’

    The California Art Club yesterday lambasted the current Los Angeles County Museum art exhibit—the museum’s eighth annual show—as favoring “radical artâ€Â and containing “subversive propaganda.â€Â

    …Edward Withers, painter and retiring president of the 500-member club, wrote [museum Director James H.] Breasted Jr. that his group cannot “condone the expenditure of tax funds for the display of subversive propaganda inimical to our form of government.â€Â

    Breasted answered: “We deny without reservation the charge that there is any subversive element in a single work in this exhibition.â€Â

    + + +

    Breasted, the son of noted Egyptologist James H. Breasted, had been hired as museum director the year before, bringing in several blockbuster shows of the day, notably one of works by Rubens and Van Dyck, and another of works by Frans Hals and Rembrandt (including “The Visionâ€Â and “Junoâ€Â) that was supposedly the largest gathering of Rembrandt’s works to date.

    He had noble ambitions in building membership, better maintenance of the buildings, adding staff, increasing collections and dealing with its unique mission covering history, science and art. But he also encountered challenges so vast and complicated that it’s impossible to deal with them here.

    The complaints came over the annual show of works by local artists, featuring such paintings as Saul Steinlauf’s “Past Symbols,â€Â which depicted:
    “…a church divided, the two parts set slightly apart, with one apparently converted into a market and with what looks like a smokestack of an industrial plant arising from the rear of the church.â€Â

    After the controversy erupted, the painting was purchased for $300 by actor Vincent Price, one of the exhibition’s judges, and presented to the museum.

    Under Breasted’s administration, the museum set a one-day attendance record of 39,117 for the 1948 Freedom Train, which featured such historic documents as a letter by Christopher Columbus.

    But there was also criticism that he failed to get along with museum staff, had missed opportunities for several important donations and had failed to book a traveling exhibition of selections from the Hapsburg art collection on a goodwill tour of the U.S.

    Breasted resigned Feb. 5, 1951, less than five years after being appointed.

    One of the other prizewinners in the 1947 show, Burton Freund, was identified as a member of the West Adams Communist Club in 1953 during testimony by Edith Macia, a 68-year-old grandmother who infiltrated Red cells on behalf of the FBI.

    Sources: Los Angeles Times May 1, 1946; May 5, 1946; June 22, 1946; Sept. 15, 1946; Dec. 10, 1946; May 15, 1947; May 22, 1947; May 24, 1947; Sept. 7, 1947; Dec. 1, 1947; Feb. 25, 1948; Jan. 1, 1951; Feb. 4, 1951; Feb. 6, 1951; Feb. 11, 1951; March 29, 1953

    https://www.lmharnisch.com

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